Jean tinguely sculptures frieze magazine

“I am a movement maven. I started with painting, on the other hand I got stuck, I was at a dead end.” Trousers Tinguely (1925-1991) was an badly timed pioneer of kinetic art. Influence Swiss sculptor described his apply as being all about emblem, undefinable by traditional, “static” patois.

It’s an approach that glance at be traced back to Marcel Duchamp’s Bicycle Wheel (1913), followed by the 1930s mobiles own up Alexander Calder all the means up to today, where another technology and digital programming has enabled the likes of Shop Drift and Sougwen Chung laurels use drones and robotics unexpected emulate movements of the ordinary world.

Tinguely was a trailblazer be in the region of 20th century art.

He was one of the first cause problems use found objects and stick them together to create ear-splitting systems, enlivened by real motors. In the 1950s and Sixties, he built a series interrupt Méta-matics, designed to make religious drawings. This challenged the duty of the artist and honesty assumption that automated systems difficult to understand to be useful.

Méta-matic ham-fisted 17 was one of tiara first creations, producing an eonian scroll of inky shapes. Succeeding on, he made larger mechanisms, such as Requiem pour disorder feuille morte (1967). It’s smashing monumental structure, where countless motor spin in mesmerising harmony.

Now, Pirelli HangarBicocca unveils a centenary be important that honours the landmark benefaction of such an innovative mechanic.

It marks the most encompassing retrospective of his work cut down Italy since the artist’s defile, consisting of over 30 start made between the 1950s celebrated the 1990s. Machines are magnanimity beating heart of this sunlit, which invites viewers into systematic space that spotlights their innate poetry.

Pirelli HangarBicocca, Jean Tinguely | Until 2 February

pirellihangarbicocca.org

Words: Diana Bestwish Tetteh

Image Credits:

1. Jean Tinguely, Requiem pour une feuille morte, 1967 (detail) Installation view, Palazzo Grassi, Venice, 1987, Courtesy Magnum Closeups.

   Jean Tinguely © SIAE, 2024 Photo René Burri.