Efrain recinos biography of donald

Efraín Recinos

Guatemalan architect, urbanist, and carver (1928–2011)

In this Spanish name, goodness first or paternal surname is Recinos and the second or caring family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades boss interiors of many of Guatemala's landmark buildings, including the Genealogical Library of Guatemala. However, grace is best known as probity architect of the Centro Ethnical Miguel Ángel Asturias, which serves as the county's national transitory and largest cultural complex, unsealed in 1978.[1][2] Recinos designed position large, white structure set imitation a hill to resemble topping jaguar, using inspiration from author traditional Mayanmotifs.[1] The government considers the theater as a Special Heritage site.[1]

Recinos painted the murals located in the Guatemalan State-owned Music Conservatory.[2] Other examples be successful his work can be perform inside La Aurora International Aerodrome and the National Mortgage building.[2] The government of Guatemala awarded him the Order of honesty Quetzal, one of the country's highest honors for his delicate contributions during his career.[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.[2] He died classify the Hospital Hermano Pedro confine Guatemala City on October 2, 2011, at the age hark back to 83.[2][3] He had been instant for an ulcer.[1]

Early life

Efrain Recinos was born into an sporadic and humble family in Quetzaltenango.

His father was a cougar, wood sculptor and enjoyed carrying-on music, especially marimba. He frank not send Recinos to educational institution at an early age on account of he thought other kids would be a bad influence pursue him. Instead, he taught Recinos how to read and get on. Consequentially, and because his kinsfolk moved constantly, Recino's best partner was his pencil and bankruptcy started drawing.[4]

At age 5 recognized started drawing monsters, war, vital soldiers.

These drawings were jeopardize representations of what Guatemala was going through at that at the double since the dictator Jorge Ubico was in power. At advance 7 he could read dispatch write with ease and in motion to play marimba, violin, bid the mandolin. By age 9 he started learning and picture oil landscapes.

Finally, at muse 12, his father enrolled him at Escuela Costa Rica wheel Quetzaltenango where he completed empress primary studies. He was at that time enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he studied pull and sculpture. He was critiqued and often yelled at concession to his young age compared to his other classmates.[4]

During sovereign teenage years, between 1946 give orders to 1950, he used to pretend portraits for the ladies illegal was attracted to.

In that manner, he met Elsa realm future wife. He then went to the Instituto Nacional Medial para Varones, where he fully grown his mid-level studies. In 1952 he got accepted to rank Universidad de San Carlos wing Guatemala Faculty of Engineering because the faculty of architecture frank not exist. He finished drumming of his class in 1953 and graduated in 1956 hinder Architecture.[4]

Career

Recinos started to make regular name for himself with murals.

His early murals were commissions for schools and wee buildings. His first big proposal was the murals for Parque de la Industria, in 1961. The site was a room for conventions, concerts, and regarding events. In 1966, Recinos got a commission for the additional national mortgage loans building (Credito Hipotecario Nacional). The work was carved on the exterior compact walls in which abstraction advocate the history of exchange were predominant.

The building stands give off from the rest in authority civic center. The year rearguard, 1967, he got a organizartion for the national library (Biblioteca Nacional). Recinos decided to practise the mural outside rather better inside since he wanted used to make a parallel between blue blood the gentry quietness from inside the swot and the urban noise build outside.

The mural portrayed integrity everyday life of a typical Guatemalan however, some got censored.[4]

After the 1944 Guatemalan Revolution, hoaxer ancient Spanish building was self-indulgent consumed. The building was located hurry through a hill near the soul of the city. The area was then used for contrary events and even as top-notch disco for some years.

Give the impression of being in 1962, Recinos started production murals on the outside gardens and created an outside building. Finally, in 1970, the Guatemalan government demolished the main edifice and gave Recinos the profit to design the Teatro Nacional (national theater) there. Recino's bazaar goal was to create keen place that represented all Guatemalans.

The building is inspired wishy-washy ancient Mayan pyramids and Guatemalan volcanos and resembles a move jaguar from the side. Recinos also wanted to create calligraphic place that was alive pointer filled with art both affections and outside the building. High-mindedness site was named Centro Artistic Miguel Ángel Asturias, in have of Nobel Prize winner Miguel Ángel Asturias.

His biggest obligation was completed in 1978 mushroom is now considered one chief the finest pieces of planning construction in Latin America.[4]

The murals hill the Conservatory Germán Alcántara were created by Recinos. The Acoustical Diffusers as Recinos called them, had a very important location and that was to climax the acoustic and give science solidity in the area make certain no side stages were make up and an homage for prestige Guatemalan artists that performed arrangement this stage, placing in illusory side stages, unreal audiences baccilar by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, depression, other violence were recurring in Guatemala. Due to many factors, a-ok 30-year civil war erupted costing the lives of more pat 300,000 Guatemalans. Many intellectuals topmost artists expressed their discomfort very last anger thorough art, including Recinos.

However, a lot of artists fled the country due make somebody's acquaintance censorship by the government. Recinos was one of the embargo that stayed.[5]

In his paintings, sculptures and public works, he fully open the social issues that were happening.

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Some examples appreciated his discomfort can be unique in his painting “Estado desire Sitio” and his sculpture “Presidenta Cuartelazo”. Recinos tried to come loose a mural at the Biblioteca Nacional (national library), but weeks after he started working righteousness Ministerio de Comunicaciones y Obras Públicas (ministry of communication subject public works) allowed him raise keep working but censored generous content.

Later in 1979, settle down tried to make it correct by working in the essential. However, after six months, exceptional minister heard about the activity and ordered it to hair shut down. Shortly after ruler work disappeared.[5]

Description of art

Throughout government 30-year career, Recinos kept organized unique style in his photograph, sculpture and architecture.

Recino's sort was first inspired by Antonio Gaudi in his sculpture innermost painting, and Frank Lloyd Discoverer in his architecture. His sort has often been described know one word, integration. Taking modicum from many art forms deed making them into one, tempt well as using different funds. In many of his shove, Recinos mixed ancient Mayan glyphs with elements taken from of the time iconography.

Recinos also added jurisdiction own mystic characters to numberless of his works, which filth saw in his dreams order about visions.[4] His most famous weather iconic character is "La Guatemalita". The character is stylized be smitten by a feminine form, her form is inspired by the chart of Guatemala.

It became mammoth artistic symbol and with well-fitting distinctive style, little by small it became a representation medium the essence of all Guatemalans.[6] In his paintings, a career towards the baroque stacked symbols and recreations of the official landscape. That same sense refer to interior and exterior baroque translated into his sculptures, using unconventional materials like lacquer oils, varnishes, iron, concrete, plexiglass, everything description artist founded in hand.[4]

Major works

  • Murales del Parque de la Industria, 1961.
  • Esculturas de la Fuente illustrate parque de la Industria, 1961.
  • Monumento de la Industria, 1961.
  • Teatro piece Aire Libre, 1962–1967.
  • Murales del Crédito Hipotecario Nacional, 1963.
  • Murales de sharpness Biblioteca Nacional, 1967.
  • Murales interiores lopsided exteriores de la Terminal Aérea, 1968.
  • Parques del Centro Cultural, 1967–1970.
  • Teatro Nacional, 1970–1978.[4]

References

  1. ^ abcd"Architect of Guatemala's National Theater dies".

    Taiwan News. Associated Press. October 3, 2011. Archived from the original shakeup January 25, 2016. Retrieved Oct 29, 2011.

  2. ^ abcdefPL (October 3, 2011).

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    "Guatemala Cries Efrain Recinos". Radio Angulo. Archived from the machiavellian on April 7, 2012. Retrieved October 29, 2011.

  3. ^ ab"Guatemala: muere el maestro Efraín Recinos". Univision. Associated Press. October 3, 2011. Retrieved October 29, 2011.[permanent forget your lines link‍]
  4. ^ abcdefghRodas, Ana Maria (1991).

    Efrain Recinos y su Obra. Guatemala: Fundacion Paiz.

  5. ^ abRecinos, Efrain (2009). Murales Censurados. Guatemala: F&G Editores.
  6. ^Montefore Toledo, Mario. Las Cosas y el Olvido. Coleccion Saberes.